Collective

In the aftermath of a tragic fire in a Romanian music club called Colectiv, more burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action to uncover massive corruption in the health system and other state institutions. Following journalists, whistle-blowers, and government officials, Collective is an immersive and uncompromising look into the price of corruption and the price of truth. It comes as no surprise that this incisive documentary that plays like a political thriller hit a universal chord, becoming a critics’ darling in the US (#2 in Time’s Top Ten) and promising to make waves at the upcoming Academy Awards.

Keep an Eye Out

Belgian funnyman Benoît Poelvoorde (Man Bites Dog) is Commissaire Buran, a good, bad cop interrogating Fugain, (Grégoire Ludig), an average Joe who discovered a dead body outside his apartment building. As the film begins, Fugain must, on an empty stomach, explain how and why he happened to leave home seven times in one night before coming across a corpse in a puddle of blood. Since he’s the investigation’s only suspect, Fugain’s anxiety is already sky-high when Buran leaves him alone with Philippe, a one-eyed rookie cop with bizarre speech patterns and a few minutes to live. Hijinks ensue, and before long, we’re in Buñuel territory. The latest deranged delight by French absurdist Quentin Dupieux, Keep An Eye Out is a breakneck-paced cop comedy that packs more laughs into its 73 breezy minutes than some filmmakers manage in their entire careers.

My Darling Supermarket

A charming and witty portrait of a grocery store in São Paulo, My Darling Supermarket follows the day-to-day lives of its employees, a panoply of workers steeped in the confining space of the store. Humor, drama, mystery, romance—and even quantum physics—coexist alongside milk cartons, meat cuts, bar codes, and security cameras as these individuals try to subvert the mundane and cope with the drudgeries of low-wage labor.

Oscar Shorts 2021: Animated

Burrow – dir. Madeline Sharafian, Michael Capbarat, USA, 6 minutes, 2020

In Disney and Pixar’s new short film Burrow, a young rabbit embarks on a journey to dig the burrow of her dreams, despite not having a clue what she’s doing. Rather than reveal her imperfections to her neighbors, she digs herself deeper and deeper into trouble. After hitting (bed)rock bottom, she learns there is no shame in asking for help.

Genius Loci – dir. Adrien Mérigeau, Amaury Ovise, France, 16 minutes, 2019

One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.

Opera – dir. Erick Oh, South Korea/USA, 9 minutes, 2020

Driven by the spirits of Bosch, Michelangelo, Botticelli, and more, award-winning filmmaker and former Pixar animator Erick Oh portrays—in his own signature whimsical and surreal way—the human society and history, filled with beauty and absurdity.

If Anything Happens I Love You – dir. Will McCormack, Michael Govier, USA, 13 minutes, 2020

Grieving parents struggle with the loss of their daughter after a school shooting; an elegy on grief.

Yes-People – dir. Gísli Darri Halldórsson, Arnar Gunnarsson, Iceland, 8 minutes, 2020

One morning, an eclectic mix of people face their everyday battles such as work, school and dish-washing. As the day progresses, their relationships are tested, as is their capacity to cope.

Plus a Selection of Additional Animated Shorts (from the AMPAS shortlist):

Kapaemahu (USA, 8 min.)

The Snail and the Whale (UK/Germany, 26 min.)

To Gerard (USA, 7 min.)

Some of these animated shorts may not be suitable for younger audiences. Viewer discretion is advised.

Oscar Shorts 2021: Documentary

A Love Song for Latasha – dir. Sophia Nahli Allison, Janice Duncan, USA, 18 minutes, 2019

The injustice surrounding the shooting death of 15-year-old Latasha Harlins at a South Central Los Angeles store became a flashpoint for the city’s 1992 civil uprising. As the Black community expressed its profound pain in the streets, Latasha’s friends and family privately mourned the loss of a vibrant child whose full story was never in the headlines. Nearly three decades later, A Love Song for Latasha removes Latasha from the context of her death and rebuilds an archive of a promising life lost. Oral history and memories from Latasha’s best friend and cousin converge in a dreamlike portrait that shows the impact one brief—but brilliant—life can have.

Do Not Split – dir. Anders Hammer, Charlotte Cook, USA/Norway, 36 minutes, 2020

Speaking from the heart of the Hong Kong protests, Do Not Split begins in 2019, as a proposed bill allowing the Chinese government to extradite criminal suspects to mainland China escalated protests throughout Hong Kong. Unfolding over the course of a year, Do Not Split captures the determination and sacrifices of the protesters, the government’s backlash, and the passage of the new Beijing-backed national security law.

Hunger Ward – dir. Skye Fitzgerald, Michael Scheuerman, USA, 40 minutes, 2020

Filmed inside two of the most active therapeutic feeding centers in conflict-ridden Yemen, Hunger Ward documents two women fighting to thwart the spread of starvation against the backdrop of a forgotten war. The film provides unflinching portraits of Dr. Aida Alsadeeq and Nurse Mekkia Mahdi as they work to save the lives of hunger-stricken children in a population on the brink of famine. With unprecedented access to a sensitive conflict zone, Hunger Ward reveals the bravery of the deeply committed doctors working in the midst of the world’s worst humanitarian crisis.

Colette – dir. Anthony Giacchino, Alice Doyard, France/Germany/USA, 24 minutes, 2020

Ninety-year-old Colette Marin-Catherine is one of the last surviving members of the French Resistance. As a young girl, she belonged to a family of Resistance fighters that included her 17-year-old brother Jean-Pierre. The last time Colette saw Jean-Pierre was in 1943, when he was arrested by the Gestapo and “disappeared” into the Nazi concentration camp system, never to be seen by his family again. For the past 74 years, Colette has never allowed herself to set one foot in Germany…but that’s all about to change when a young history student named Lucie enters her life.

A Concerto Is a Conversation – dir. Ben Proudfoot, Kris Bowers, USA, 13 minutes, 2020

A Concerto is a Conversation tells the story of virtuoso jazz pianist and film composer Kris Bowers, as he tracks his family’s lineage from his 91-year-old grandfather in Jim Crow Florida to the Walt Disney Concert Hall. Bowers traces the process of breaking into new spaces through the generations of sacrifice that came before him, focusing on the story of his grandfather Horace Bowers, who, as a young man, left his home in the Jim Crow South and eventually ended up in Los Angeles. Encountering discrimination at every turn, he and his wife, Alice, nevertheless made a life as business owners. Today, their legacy lives on through their family and community in South Los Angeles.

Oscar Shorts 2021: Live Action

The Present – dir. Farah Nabulsi, Palestine, 25 minutes, 2020

On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads, and checkpoints, how hard could it be to go shopping?

Feeling Through – dir. Doug Roland, USA, 19 minutes, 2019

A late-night encounter on a New York City street leads to a profound connection between a teen in need and a man who is DeafBlind.

Two Distant Strangers – dir. Travon Free, Martin Desmond Roe, USA, 29 minutes, 2019

In Two Distant Strangers, cartoonist Carter James’ repeated attempts to get home to his dog are thwarted by a recurring deadly encounter that forces him to re-live the same awful day over and over again.

White Eye – dir. Tomer Shushan, Israel, 20 minutes, 2019

A man finds his stolen bicycle, which now belongs to a stranger. While attempting to retrieve it, he struggles to remain human.

The Letter Room – dir. Elvira Lind, USA, 33 minutes, 2020

When an empathetic corrections officer gets transferred to the prison’s letter room, he soon finds escape in the deeply personal letters written to an inmate on death row. Starring Oscar Isaac and Alia Shawkat.

Slalom

This riveting, Cannes-selected #MeToo drama from debut filmmaker Charlène Favier follows the relationship between a teenage ski prodigy and her predatory instructor, played by frequent Dardenne brothers collaborator Jérémie Renier. In a breakthrough role, Noée Abita plays 15-year-old Lyz, a high school student in the French Alps who has been accepted to an elite ski club known for producing some of the country’s top professional athletes. Taking a chance on his new recruit, ex-champion turned coach Fred decides to mold Lyz into his shining star despite her lack of experience. Under his influence, she will have to endure more than just the physical and emotional pressures of training. Will Lyz’s determination help her escape Fred’s exploitative grip?

Stray

Through the eyes of three stray dogs wandering the streets of Istanbul, Stray explores what it means to live as a being without status or security. As they search for food and shelter, Zeytin, Nazar and Kartal embark on inconspicuous journeys through Turkish society that allow us an unvarnished portrait of human life — and their own canine culture. Zeytin, fiercely independent, embarks on solitary adventures through the city at night; Nazar, nurturing and protective, easily befriends the humans around her; while Kartal, a shy puppy living on the outskirts of a construction site, finds refuge with the security guards who care for her. The disparate lives of Zeytin, Nazar and Kartal intersect when they each form intimate bonds with a group of young Syrians who share the streets with them. Whether they lead us into bustling streets or decrepit ruins, the gaze of these strays act as windows into the overlooked corners of society: women in loveless marriages, protesters without arms, refugees without sanctuary. The film is a critical observation of human civilization through the unfamiliar gaze of dogs and a sensory voyage into new ways of seeing.

Wojnarowicz

Wojnarowicz is a fiery and urgent documentary portrait of downtown New York City artist, writer, photographer, and activist David Wojnarowicz. As New York City became the epicenter of the AIDS epidemic in the 1980s, Wojnarowicz weaponized his work and waged war against the establishment’s indifference to the plague until his death from it in 1992 at the age of 37. Exclusive access to his breathtaking body of work—including paintings, journals, and films—reveals how Wojnarowicz emptied his life into his art and activism. Rediscovered answering machine tape recordings and intimate recollections from Fran Lebowitz, Gracie Mansion, Peter Hujar, and other friends and family help present a stirring portrait of this fiercely political, unapologetically queer artist.

New Releases

Secrets of the Surface: The Mathematical Vision of Maryam Mirzakhani

We are thrilled to offer this inspiring film and panel for free! Maryam Mirzakhani was the remarkable mathematician who, in 2014, became only the first woman—and first Iranian—to receive the Fields Medal, often regarded as the Nobel Prize of mathematics.  But more than just a giant milestone. Mirzakhani’s journey was unusual, and her particular mathematical vision was visually striking, lending itself to a wonderful use of animation in this film that chronicles both her life and ideas.  It’s a story that’s both uplifting and touching, as Mirzikhani was struck down by cancer in 2017 at the prime of her career, just 40 years old. We have been lucky over these past years to host a number of very successful programs about mathematics at the Burns, with many famous mathematicians in attendance.  While this program will be virtual, we are thrilled to host a conversation with Mirzakhani’s colleagues moderated by David Eisenbud, the director of the Mathematics Science Research Institute (MSRI), as well as the film’s director, George Csiscery.  —Brian Ackerman, Founding Director of Film Programming

The film will only be available to stream on Sunday, April 25 at 7:00pm, and will be followed by a panel discussion at 8:10 pm on the JBFC YouTube Channel.

Livestream Q&A

Ahead of the Curve

In 1990, with a fist full of credit cards, a lucky run at the horse track, and chutzpah for days, Franco Stevens launched Curve, the best-selling lesbian lifestyle magazine ever published. Decades later, when a fading legacy and disabling injury cause Stevens to reassess her life, she sets out on a journey to learn about today’s LGBTQIA activists to help determine the path forward.

Augmented

The personal journey of Hugh Herr, a double amputee and MIT scientist who creates brain-controlled robotic limbs. At 17, Hugh survived a near-death experience while climbing Mount Washington. Stunned by the prosthetic he was given, and realizing there was untapped potential for such devices, Hugh set out to improve the field of prosthetics. His innovative success leads to a major scientific breakthrough, a radical new way of performing amputations, and more.

Best Summer Ever

Sage (Shannon DeVido) and Anthony (Ricky Wilson, Jr.) had the best summer ever after falling in love at summer camp. By a twist of fate, Sage arrives unexpectedly at the same high school as Anthony at the start of the new school year. Now faced with the drama of cliques, an evil cheerleader, and the illegal secret that keeps Sage’s family on the move, they are forced to re-evaluate their relationship. This history-making musical features eight original songs and a fully integrated cast and crew of people with and without disabilities.

Crutch

Crutch chronicles the life of artist Bill Shannon, an internationally renowned breakdancer and skateboarder on crutches, as he uses his performance art skills to shine light on his prowess and power, tearing apart the world of assumptions that surrounds us all.

In a Different Key

A mother tracks down the first person ever diagnosed with autism in rural Mississippi to learn whether his life story holds promise for her own autistic son. Her journey exposes a startling record of cruelty and kindness alike—framed by forces like race, money, and privilege—as she ultimately finds hope for a future with greater acceptance for those who are considered different.

Maricarmen

Maricarmen Graue is a cello player, music teacher, writer, and marathon runner. Blind and living alone, she subverts any expectations of helplessness with a biting sense of humor and a fierce attitude. Swaying between laughter and a bare-boned meditation on the act of living, Maricarmen navigates the trials and triumphs of a strong, perseverant woman.

Not Going Quietly

When activist and new father Ady Barkan is diagnosed with ALS and given four years to live, he finds himself directly impacted by a new legislation proposal that jeopardizes essential healthcare programs critical to the survival of Ady and others. After a chance confrontation with Senator Jeff Flake goes viral, Ady embarks on a cross-country tour, using his final breaths to fight for healthcare justice and try to create a better world for his newborn son to inherit.

Shorts Program 1

Single – dir. Ashley Eakin, US, 14 minutes, 2020
Kim, who was born with one arm, gets set up on a blind date. When she finally meets Jake, she quickly realizes he also has a physical disability, and she is angry. An unapologetic perspective on the complexities of being disabled and dating.

Verisimilitude – dir. David Proud, UK, 13 minutes, 2020
An unemployed, disabled actress is frustrated that all the disabled acting roles go to able-bodied actors. She gets a job as an advisor to a spoilt up-and-coming British film star, advising him on how to be disabled for his latest role, which might just win him a BAFTA.

Wiggle Room – dir. Sam Guest & Julia Baylis, US, 13 minutes, 2021
Motivated by the imminent repossession of the wheelchair ramp from her house, teenaged Daisy is on a mission to get back the money she’s owed from a shady insurance agency. Only then does Daisy realize that the barrier of bureaucracy will be her biggest challenge.

How Much Am I Worth? – dir. Rachel Handler, US, 5 minutes, 2020
A stirring exploration of the challenges of the US healthcare and insurance industries through the lens of people with disabilities, who find themselves trapped in an antiquated system with dire consequences.

Shorts Program 2

David – dir. Zachary Woods, US, 11 minutes, 2020
A severely depressed man reaches out for an emergency therapy session, but he’s not the only one who needs help. Starring William Jackson Harper (NBC’s The Good Place) and Will Ferrell.

Dead End Drive – dir. Alexander Yellen, US, 14 minutes, 2020
While running from zombies, Oscar hits a dead end, but is quickly led to safety by fellow survivors Darcey and Jacob. He is invited to stay the night by the couple before he heads out in search of the mysterious Salvation, and Oscar soon learns that they have prepared for everything—including him.

Deafinition – dir. Nicole Miller, Australia, 8 minutes, 2019
A personal look into the inner world of Peter, a deaf man, and his experiences with day-to-day social interactions. With comedy and creativity, we learn about Paul’s reality and perspective.

Second Time – dir. Rafa Oliveira, Brazil, 4 minutes, 2020
A deaf couple chats at a party while everyone else observes the beginning of a beautiful love story. But is the conversation as innocent as it seems?

I’m So Far – dir. Léo Grandperret, France, 2 minutes, 2020
Sometimes, things that seem simple… just aren’t. I’m So Far follows the trials of a senior with limited mobility trying to leave his home with the help of some friends.

Shorts Program 3

Charon – dir. Cullen Parr, US, 12 minutes, 2019
Myron Dyal is an artist with temporal lobe epilepsy who creates striking art inspired by the visions he has during his seizures. As reality starts to unravel around him, Myron struggles to accept his epilepsy.

Coexist – dir. Komeil Soheili, Iran, 12 minutes, 2020
Dela is a blind captain living on Hormuz Island in Southern Iran. While geopolitical tensions between Iran and the US rise, he practices a unique method of making bread that uses three unexpected elements from the island.

My Layers – dir. Susanne Serres, Canada, 5 minutes, 2020
A glimpse into what it’s like to experience psychosis, as seen through the power of dance.

The Secret Life of Tom Lightfoot – dir. Ray Jacobs, UK, 10 minutes, 2020
Tom is anxious. He holds a secret in his human heart—a wing beat and a flutter—and it’s bursting to take flight in this tale of magical realism.

Strange – dir. Cameron Carr, UK, 2 minutes, 2020
An animated glimpse into the life of an autistic author that explores friendship, trials, and the use of unique coping strategies.

Hal and Minter – dir. Ram Devineni, US, 24 minutes, 2021
Hal Sirowitz has Parkinson’s disease. At one time one of the most popular poets in the United States, he was a regular on MTV and one of the original performers at the Nuyorican Poets’ Cafe. Hal and his partner, the writer Minter Krotzer, have become advocates for people with Parkinson’s disease and their families. A funny and uplifting story about being a creative couple and finding your voice.

Shorts Program 4 

Full Picture – dir. Jacob Reed, US, 11 minutes, 2020
Santina has been in a wheelchair since she was six years old. With meetings, hangouts, and classes happening virtually due to the Coronavirus quarantine, she’s experiencing something new—choosing when (or if) to disclose her disability.

Neurim – dir. Shaylee Atary, Israel, 31 minutes, 2020
Orr, a 30-year-old wheelchair user, has feelings for her new physiotherapist, bringing new breezes of desire to her daily routine of rehabilitation.

Between a Rock and a Hard Place – dir. Mads Koudal, Denmark, 18 minutes, 2019
Birthe is 81 years old, and lives with her 55-year-old daughter Karen, who has Down syndrome. Birthe is struggling with dementia, leading the local authority to believe that she’s no longer capable of taking care of her daughter.

Daddy’s Girl – dir. Cian Elyse White, New Zealand, 12 minutes, 2021
Te Puhi prepares for the toughest day of her life—she must come to terms with her father’s dementia. But first, the two share a traditional meal.

The Special

Chuo, a charming young man with Down syndrome, must navigate the challenges of early adulthood as he seeks to build a life of independence from his troubled father. Long separated by an ocean of silence and shame, will the two men be able to build a common future?

The World is Bright

What would you do if your only child died mysteriously in another country and was buried in your absence? The World Is Bright follows the epic 10-year journey of an elderly Chinese couple searching for the truth behind their son’s death in Canada. What starts as a murder mystery becomes something else entirely—a rare revelation about immigration, mental health, and a Kafkaesque bureaucracy at the heart of global migration.

ReelAbilities Film Festival: New York

The Inheritance

After nearly a decade exploring different facets of the African diaspora—and his own place within it—Ephraim Asili makes his feature-length debut with The Inheritance, an astonishing ensemble work set almost entirely within a West Philadelphia house where a community of young Black artists and activists form a collective. A scripted drama of characters attempting to work towards political consensus—based partly on Asili’s own experiences in a Black liberationist group—interweaves with a documentary recollection of the Philadelphia liberation group MOVE, the victim of a notorious police bombing in 1985. Ceaselessly finding commonalties between politics, humor, and philosophy, with Black authors and radicals at its edges, The Inheritance is a remarkable film about the world as we know it.

REMIX: The Black Experience in Film, Media, and Art

Demonlover

“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be. Nielsen plays Diane de Monx, a Volf Corporation executive turned spy for rival Mangatronics in the companies’ battle over the lucrative market of Internet adult animation. In Demonlover, Assayas explores the connections between multinational businesses and extreme underground media as well as the many ways 21st-century reality increasingly resembles violent, disorienting fiction.

F.T.A.

In 1971, at the height of the Vietnam War, Jane Fonda and Donald Sutherland toured an anti-war comedy show across Southeast Asia. It was directly engaged with and inspired by veterans against the war and, naturally, it upset U.S. military higher-ups. The F.T.A. tour was highly controversial and was a huge success among stationed soldiers. In spite of positive reviews and business, director Francine Parker’s film version was quickly taken out of circulation due to political pressures and has been difficult to see for decades. F.T.A. has now been fully restored in 4K by IndieCollect and is preceded by a new video introduction by Academy Award-winning actor and activist Jane Fonda, which provides historical context and explains the impetus that sparked the creation of the F.T.A. troupe.

A Tale of Autumn

The concluding installment of the “Tales of the Four Seasons” tetralogy is a breezy take on the classic American romantic comedies that influenced Rohmer and his New Wave peers. Set in the Rhône Valley and taking full advantage of its golden vineyards, A Tale of Autumn concerns simultaneous schemes to find a new love for reserved winegrower and widow Magali (Beatrice Romand). While her son’s girlfriend (Alexia Portal) attempts to pair Magali with a former professor and lover (Didier Sandre), Magali’s friend Isabelle (Marie Rivière) assumes a false identity in order to bait eligible bachelor Gérald (Alain Libolt). The misunderstandings that follow are pure Rohmer in revealing the humor of human folly and foible.

A Tale of Springtime

In the first film of “Tales of the Four Seasons,” a burgeoning friendship between philosophy teacher Jeanne (Anne Teyssèdre) and pianist Natacha (Florence Darel) is strained by jealousy, suspicion, and intrigue. Natacha encourages Jeanne to pursue the former’s father, Igor (Hugues Quester), in order to supplant Eve (Eloïse Bennett), the young girlfriend Natacha loathes. Natacha’s scheme, however, risks alienating those closest to her, as well as entangling Jeanne in a romantic drama she has vowed to avoid. A Tale of Springtime demonstrates Rohmer in full command of subtle visual storytelling, as he contrasts the brightness of his characters’ Parisian and suburban surroundings with their conflicting desires, ideas, and temperaments.

A Tale of Summer

According to Rohmer, the third film of the “Tales of the Four Seasons” is his “most personal vehicle.” Based on events from Rohmer’s youth, A Tale of Summer follows amateur musician Gaspard (Melvil Poupard) to a seaside resort in Dinard, on the coast of Brittany. There, three women (Amanda Langlet, Gwenaëlle Simon, Aurelia Nolin) each offer the possibility of romance, but Gaspard’s inability to commit to just one places all of his chances at love in jeopardy. A Tale of Summer features Rohmer’s wistful observations on indecisiveness and the fickle nature of desire, as brought to life by a talented young cast in a picturesque setting.

A Tale of Winter

The second installment of “Tales of the Four Seasons” is among the most spiritual and emotional films of Rohmer’s storied career. Five years after losing touch with Charles (Frédéric van den Driessche)—the love of her life and the father of her young daughter—Félicie (Charlotte Véry) attempts to choose between librarian Loïc (Hervé Furic), who lives in the Parisian suburbs, and hairdresser Maxence (Michel Voletti), who has recently moved to Nevers. In the midst of indecision, Félicie holds to an undying faith that a miracle will reunite her with Charles, a faith that Rohmer examines in all of its religious dimensions and philosophical ramifications.

Retro Revival

NYICFF Viva Kid Flicks

The brilliant Spanish-language tales in Viva Kid Flicks, with a range of kids’ perspectives, speak volumes in any tongue. NYICFF jury-award winner 3Feet kicks things off in style with Gonzalo, who tries his hilarious best to keep things clean to stay in the game; then orbit around Ailín and her mom, who work through love and challenges in the charming stop motion Ailin on the Moon. And see things grow curiouser and curiouser in a moving take on magical realism in the gorgeously filmed tale The Size of Things.

JBFC Kids

World Cinema

One Night Only

Coming Soon

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